Called "an impressive solo bassoonist" by The New Yorker, Rebekah Heller made her solo debut with the New York Philharmonic in September 2018, and has been a soloist with the Seattle Symphony, the Nagoya Philharmonic, and the New World Symphony.

As a solo artist, Heller is known for creating immersive environments — using custom lights, commissioned clothing, and playing from memory — to facilitate electric connections with her audiences. 

Helen Gillet is a singer-songwriter and surrealist-archeologist exploring synthesized sounds, texture, and rhythm using an acoustic cello. Gillet’s solo performance is known for its enigmatic quality as she fabricates each song with innovative use of the cello and true mastery of live looping technology.

Felix Haskins: Student Cello Recital

Celebrating the release of their new album of duets, Gillian Margot and Geoffrey Keezer (MarKeez Records 2025), Keezer and Margot bring their unique vision of the vocal and piano duet to concert stages worldwide, performing familiar jazz standards, beloved pop songs and vibrant original compositions, in a varied and intimate set.

Born in London, England, my family moved to New York when I was three. I started playing bass at age thirteen. I attended music and art high school, and was playing professionally by age fourteen. 

Sexmob (Steven Bernstein - slide trumpet, Briggan Krauss - saxophones, Tony Scherr - bass, Kenny Wollesen - drums) continues to deconstruct familiar pop tunes with subversive impunity.

CARDUME is a brand new percussion trio founded by three highly accomplished musicians (Rogério Boccato, Keita Ogawa, and Cleber Almeida) with decades of collective experience in the world of improvised music. The name CARDUME comes from Portuguese translating to "school of fish”.

Dirty, glitchy, lyric-centered, groove-based. Funk and soul join with lyrical themes of bygone eras in rural settings. Characters lost, mortality confronted. Love achieved, and denied. Americana.

Josh Dion - vocals, drums, keyboards
Geoff Kraly - bass, modular synth, vocals

Eucademix is the moniker used by Yuka Honda for her solo electronics project. Yuka is a founder of the band Cibo Matto and is an accomplished electronic instrumentalist, composer, and producer. She has a deep fascination with microorganisms and humorously refers to herself as a “de-composer.” Yuka’s music spans various genres, which she collectively terms “sensory music.”

Vocalist/guitarist/composer Camila Meza is a rarity, a glorious triptych of an artist. She possesses a gift for composing brilliant musical landscapes, a captivating, soulfully pure vocal instrument, and a consummate prowess on guitar, ablaze with irresistible melodies and improvisations.

Trombonist/composer/music director Joe Fiedler is known to critics as “among the most impressive trombonists to emerge in the past couple of decades.” (Harvey Pekar, Signal to Noise)

One of his generation’s extraordinary talents, Dan Tepfer has earned an international reputation as a pianist-composer of wide-ranging innovation, individuality, and drive—one “who refuses to set himself limits” (France’s Télérama).

Cellist and composer Jody Redhage-Ferber's current project is inspired by the word ecotone from ecology, denoting a transition zone where two biomes meet that is particularly rife with life.  Playing with this concept in literal and whimsical ways, Redhage-Ferber's current project features her original compositions inspired by the design and characteristics of flora and fauna existing in ecotones. 

Duet Behavior is an intimate evening of Meredith Monk’s music as it has never been experienced.

Ben Monder and Taylor Haskins have played music together in various settings for over 25 years with many overlapping interests, they share a deep musical connection.

“A massive veteran trio…bassist Stephan Crump and alto saxophonist Darius Jones are not just immense players, they’re also two of the city’s great creative music composers, pushing it into wondrous, unexpected but also inviting spaces.” - DadaStrain

Transylvanian Dance pianist Lucian Ban and violist Mat Maneri reimagine through improvisation the Béla Bartók Field Recordings of folk songs from Transylvania bringing back to life century old songs using live performance, audio from the original Edison wax cylinder recordings, rare handwritten manuscripts and photographs taken by Bartók himself in his field trips.